QUILT INDEX RECORD
25-21-81
Who documented this quilt?
Texas Sesquicentennial Quilt Association, Texas Quilt Search
Where are the records for this quilt housed?
Briscoe Center for American History, University of Texas at Austin
Texas Quilt Search Number:
tqs_0113
Person filling out this form is:
Quiltmaker; Quilt owner; Other
Source of the information on this quilt:
This quilt was reviewed and documented during the Texas Sesquicentennial Quilt Association's Phase II of the Texas Quilt Search, 1986-1989. Karey Bresenhan served as quilt historian.
When was the form filled out?
1986-1989
Choose the best description of the source to the quilt:
Quiltmaker; Quilt owner
How did the quiltmaker participate in the creation of the quilt?
Made entire quilt
If you are the quilt owner, how did you acquire this quilt?
Made the quilt
If the source helped design the quilt, describe their input:
Designed quilt motif
Describe the relationship to the quilt's maker:
This quilt is currently owned by the quiltmaker.
This is a:
Finished quilt
Quilt's title:
Stained Glass Quilt
Owner's name for quilt:
Stained Glass
How wide is the quilt?
83 in.
How long is the quilt?
84 in.
Shape of edge:
Straight
Shape of corners:
Straight
What color is the quilt?
Brown; Gold; Green; Pink; White; Yellow
Overall color scheme:
Multicolor
Quilt's condition:
Excellent/like new
Time period:
1976-1999
When was the quilt finished?
1983
Family/owner's date for quilt:
1983
Describe the quilt's layout:
Pictorial
Subject of the quilt:
stained glass panel
Describe the quilt setting:
center medallion panel surrounded by other "stained glass"
Describe the borders:
all borders are designed to look like stained glass panels
Fiber types used to make the quilt top:
Cotton; Cotton or polyester blend
Fabric types used to make the quilt top:
Chintz
Fabric styles used in the quilt top:
Solid/plain
Piecing techniques used to make the quilt top:
Hand Piecing; Machine Piecing
Applique techniques used to make the quilt top:
Hand Applique
Describe the techniques used to make the quilt top:
Brown "leading" in this quilt has been pieced between the "glass panels," not appliqued, as is typically done.
Can you feel or see paper on the quilt that was used as a construction aid?
no
Materials used to make the back:
Cotton or polyester blend
Description of the back:
chintz
Describe the back:
Solid/plain
Materials used in the quilt binding:
Cotton or polyester blend
How is the binding made?
Bias grain
What is the width of the binding (measure on the top only)?
less than a half inch
What kind of filling is used in the quilt?
Polyester
How thick is the quilt?
Thick (More than 3/16?)
How are the layers held together?
Hand quilting
Number of quilting stitches per inch, place 1:
7
Number of quilting stitches per inch, place 2:
9
Can you see any knots on the front or back of the quilt?
no
Quilting designs used, overall motifs:
Outline
Quilting designs used, decorative motifs:
Floral
Quilting designs used, background fills:
Grid/crosshatch
Describe the quilting designs used:
outline quilting; flower and leaf designs in glass panes; grid crosshatch in some panels
Features or notes about the quilt's appearance, materials, or construction:
Shine of chintz and high loft batting add dimension to the stained glass look; dark brown "leading" is set in, not appliqued on, between the pieced blocks. The outer rectangular glass panels frame the central circular medallion motif. The look is very realistic.
Quilt top made by:
Parker, Vivian Osie Hobbs
Quilted by:
Parker, Vivian Osie Hobbs
Where the quilt was made, city:
Fort Worth
Where the quilt was made, county:
Tarrant
Where the quilt was made, state:
Texas (TX)
Where the quilt was made, country:
United States
How was this quilt acquired?
Made by owner
Describe anything about the history of the quilt that wasn't already recorded in a previous field:
Mrs. Parker's Stained Glass Quilt was a blue-ribbon winner at the Texas State Fair and hung in the invitation show "Stained Glass Connection" in Lexington, KY.
Why was the quilt made?
Art or personal expression
The quilt was made to be used for:
Artwork/wall hanging
Quilt is presently used as:
Artwork/wall hanging; Exhibit
Where did the maker get their materials?
Purchased new
Where did the maker find their pattern?
Public domain/traditional pattern
Describe anything about the design of the quilt that wasn't already recorded in a previous field:
All materials are chintz; "leading" is dark brown, not black. This type of quilt was especially popular in the late 1970s.
Exhibitions where this quilt was displayed:
“Lone Stars: A Legacy of Texas Quilts, 1936-1986,” 16th Annual International Quilt Festival, November, 1990, Houston, Texas; "Stained Glass Connection," Lexington, Kentucky.
Contests entered:
Mrs. Parker's Stained Glass Quilt was a blue-ribbon winner at the Texas State Fair.
Related items such as diaries, obituaries, wills, household inventories, or pictures of the quiltmaker:
Texas Sesquicentennial Quilt Association’s Texas Quilt Search Archives
Publications (including web sites) where this quilt or maker was featured:
Bresenhan, Karoline Patterson and Nancy O'Bryant Puentes, Lone Stars: A Legacy of Texas Quilts, Vol. II, 1936-1986 (Austin: University of Texas Press, 1990), p. 126-127.
Ownership of this quilt is:
Private
Quilt owner's name:
Vivian Osie Hobbs Parker
Quilt owner's state:
Texas (TX)
Quilt owner's country:
United States
Quiltmaker's maiden name:
Hobbs, Vivian Osie
Quiltmaker's gender:
Female
Quiltmaker's birth date:
1922
Quiltmaker's birthplace, city:
Brady
Quiltmaker's birthplace, state:
Texas
Quiltmaker's birthplace, country:
United States
Quiltmaker's occupation:
homemaker
Quiltmaker's state:
Texas (TX)
Quiltmaker's country:
United States
Quiltmaker's father's name:
Hobbs, [unknown]
Quiltmaker's spouse's/spouses' and/or partner's/partners' occupation:
retired Air Force colonel
Number of children:
2
How many of the quiltmaker's children were girls?
2
How did the quiltmaker learn to quilt?
From Relative
When did the quiltmaker learn to quilt?
Under 10 years of age
Why does the quiltmaker quilt?
Gifts; Pleasure
Notes on how the quiltmaker learned, and how and why they quilt:
sense of heritage, creation, and "great satisfaction when it is finished and a beauty."
Does/did the quiltmaker belong to a group? Name of the group?
Trinity Valley Quilters' Guild
Where does/did the group meet?
Fort Worth
Estimated number of quilts made by this quiltmaker:
more than 50
Does/did the quiltmaker sell quilts?
no
Any other notes or stories about the quiltmaker:
Mrs. Parker began quilting when she was five or six, "just big enough to stand at frame." Her mother and grandmother were both quilters and they "always allowed me to quilt on their quilts, they never said a word about my big stitches." Her first quilt was a Nine Patch, which she recalled was "a true disaster." Mrs. Parker does many other kinds of needlework, including crocheting and knitting, but she states she would much rather quilt. She creates about two quilts each year and has taken quilt classes in Kentucky, Georgia, Houston, and Fort Worth.
Who photographed this quilt?
Sharon Risedorph
Access and copyright information:
Restricted
Copyright holder:
Assistant Director Winedale
Cite this Quilt
Parker, Vivian Osie Hobb. Stained Glass Quilt. 1983. From Briscoe Center for American History, University of Texas at Austin, Texas Sesquicentennial Quilt Association, Texas Quilt Search. Published in The Quilt Index, https://quiltindex.org/view/?type=fullrec&kid=25-21-81. Accessed: 04/25/24
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